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'The most exhilarating surge of language, style and sordid English manners [in] literature.'DBC Pierre 'A wild, passionate, brilliantly gaudy and flamboyant extravaganza ... Richly obscene, energetically morbid, very often very funny ... Above all, stylistically and verbally inventive.' Observer . Death Gregory has disappeared, abandoning his diaries in a seedy London hotel. Discovered by Lawrence Lucifer, they depict a clique of intellectuals living a life of squalid debauchery: struggling writers and artists consumed by loves, lusts, and a quest for innovation. But as they satisfy violent…mehr

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Produktbeschreibung
'The most exhilarating surge of language, style and sordid English manners [in] literature.'DBC Pierre 'A wild, passionate, brilliantly gaudy and flamboyant extravaganza ... Richly obscene, energetically morbid, very often very funny ... Above all, stylistically and verbally inventive.' Observer . Death Gregory has disappeared, abandoning his diaries in a seedy London hotel. Discovered by Lawrence Lucifer, they depict a clique of intellectuals living a life of squalid debauchery: struggling writers and artists consumed by loves, lusts, and a quest for innovation. But as they satisfy violent appetites of the flesh - and mind - their descent into darkness accelerates ... Written when he was only 24, Lawrence Durrell described his controversial third novel as 'a two-fisted attack on literature by an angry young man of the thirties' in which he 'first heard the sound of my own voice.' First published in Paris in 1938, it was banned in Britain for nearly four decades due to its 'obscenity' (influenced by Durrell's friend Henry Miller). Vivid, surrealist, and haunting, The Black Bookpeers into the recesses of our souls: and establishes Durrell as a trailblazing stylist. 'Stygian prose ... Words like stones, throwing, rockerying, mossing, churning, sharpening, bloodsucking, melting, and a hard firewater flows and rolls through them.' Dylan Thomas 'Genuine art ... Lavishly displays Durrell's gift of language ... Verbal brilliance.' New York Times 'The first piece of work by a new English writer to give me any hope for the future of prose fiction.' T.S. Eliot 'Durrell's first major work ... Its showy brilliance is certainly that of a born writer ... Savage and obscene.'Guardian 'Brilliantly strange ... It will astonish.' Independent on Sunday

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Autorenporträt
Lawrence Durrell was born in 1912 in India. He attended the Jesuit College at Darjeeling and St Edmund's School, Canterbury. His first literary work, The Black Book, appeared in Paris in 1938. His first collection of poems, A Private Country, was published in 1943, followed by the three Island books: Prospero's Cell, Reflections on a Marine Venus, about Rhodes, and Bitter Lemons, his account of life in Cyprus. Durrell's wartime sojourn in Egypt led to his masterpiece, The Alexandria Quartet, which he completed in southern France where he settled permanently in 1957. Between the Quartet and The Avignon Quintet he wrote the two-decker Tunc and Nunquam. His oeuvre includes plays, a book of criticism, translations, travel writing, and humorous stories about the diplomatic corps. Caesar's Vast Ghost, his reflections on the history and culture of Provence, including a late flowering of poems, appeared a few days before his death in Sommières in 1990.