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  • Format: ePub

CHAPTER I
WHERE THE SLUSH LAMP BURNS
Mr Button was seated on a sea-chest with a fiddle under his left ear. He was playing the "Shan van vaught," and accompanying the tune, punctuating it, with blows of his left heel on the fo'cs'le deck.
"O the Frinch are in the bay, Says the Shan van vaught."
He was dressed in dungaree trousers, a striped shirt, and a jacket baize—green in parts from the influence of sun and salt. A typical old shell-back, round-shouldered, hooked of finger; a figure with strong hints of a crab about it.
His face was like a moon, seen red through tropical
…mehr

Produktbeschreibung
CHAPTER I

WHERE THE SLUSH LAMP BURNS

Mr Button was seated on a sea-chest with a fiddle under his left ear. He was playing the "Shan van vaught," and accompanying the tune, punctuating it, with blows of his left heel on the fo'cs'le deck.

"O the Frinch are in the bay,
Says the Shan van vaught."

He was dressed in dungaree trousers, a striped shirt, and a jacket baize—green in parts from the influence of sun and salt. A typical old shell-back, round-shouldered, hooked of finger; a figure with strong hints of a crab about it.

His face was like a moon, seen red through tropical mists; and as he played it wore an expression of strained attention as though the fiddle were telling him tales much more marvellous than the old bald statement about Bantry Bay.

"Left-handed Pat," was his fo'cs'le name; not because he was left-handed, but simply because everything he did he did wrong—or nearly so. Reefing or furling, or handling a slush tub—if a mistake was to be made, he made it.

He was a Celt, and all the salt seas that had flowed between him and Connaught these forty years and more had not washed the Celtic element from his blood, nor the belief in fairies from his soul. The Celtic nature is a fast dye, and Mr Button's nature was such that though he had been shanghaied by Larry Marr in 'Frisco, though he had got drunk in most ports of the world, though he had sailed with Yankee captains and been man-handled by Yankee mates, he still carried his fairies about with him—they, and a very large stock of original innocence.
Autorenporträt
Henry de Vere Stacpoole was an Irish author best known for his 1908 romance novel The Blue Lagoon, which has been adapted into several films. Born on April 9, 1863, in D n Laoghaire, Ireland, he became an established writer, publishing works under his own name and occasionally using the pseudonym Tyler de Saix. Stacpoole's literary works often explored themes of love, loss, and human connection, many set in tropical or exotic locations, reflecting his passion for travel and adventure. His writing resonated with readers for its vivid settings and emotional depth, and The Blue Lagoon remains his most famous work. Stacpoole was married twice, first to Margaret de Vere Stacpoole in 1907, and later to Florence Robson in 1938. He passed away at the age of 88 on April 12, 1951, in Shanklin, United Kingdom. His works, though primarily known for their romantic themes, also captured an essence of escapism, making them timeless classics. His legacy endures through his novels and their adaptations into films, which continue to captivate new generations.