Ciro Plateroti

The Book of Movements / Volume 5 / Palindromes 1 (eBook, ePUB)

• Format: ePub

Produktbeschreibung

IMPORTANT NOTICE: After practicing this 5th volume of The Book of Movements, You will notice changes in your self-perception since both hemispheres of the brain are exercised. Palindromes are movement patterns with certain special characteristics. Its internal components keep symmetrical distances They read the same from front to back and from back to front. These mirrored patterns are special in that when you practice them They allow us to play fluidly with both hands, the same pattern. Any pattern that is leading with the right hand is automatically played leading with the right hand. left, achieving a great kinesthetic balance. The palindromes sound very exotic and musical at the same time, there are all the movement patterns palindromics that exist in metric 3/8; 4/8; 5/8; 6/8; 7/8; 8/8; 9/8; 8/10; 11/8; 12/8; 8/13; 8/14; 8/15 and 8/16 Irregular metrics with these patterns sound amazing. The focus of this volume I is with the accentuation technique. In addition to the thousands of patterns, the book contains different approaches to give them interesting musical treatments that will make your head explode. Many of us hear about palindromes in poetry through phrases or words, in mathematics through numbers, we also hear that the human genome has palindromic sequences etc. Although there are already compositions, melodies and resources used by great composers in the history of music, related to this kind of symmetry, it turns out that the infinite potential that these special sequences have on musical situations where they can be applied in different ways is little explored. in a very organic way. This method has specifically selected palindromic movement patterns and classified in a compilation of which there are no antecedents in musical history. It is aimed at those who play drums, percussion, piano, bass, guitar, Hang, body percussion or instrumentalists looking to create new musical ways of approaching their instrument, also provides excellent rhythmic forms for composers and improvisers. The palindromes here are arranged in patterns with metrics ranging from 3 to 16 beats, so We will explore this type of patterns in 14 different metrics, with a simple, organic visual approach. auditory and kinesthetic learning. Palindromic sequences exist in different languages of nature, and of course, also they are present in music, both in the harmonic and melodic plane as well as in the rhythmic plane. Such sequences visually produce a symmetric phenomenon of reflection that is also very easy to appreciate from an auditive aspect when we listen to the call and the response, which carries the palindrome itself. That call and response (object and reflection) give us a very clear notion that we are listening to a well-formed musical phrase. (Many of us have already played palindromic several times without being aware of it) On the other hand, palindromes (here called palindromic motives) while wonderful, since a musical discursive aspect are also in the motor aspect. It turns out that the human body, seen from the outside, has palindromic shapes from a central axis of symmetry towards the ends and from the ends to the axis again. This type of symmetry manifested naturally in our body, raises its potential and these can be explored very organically with the movements proposed by the palindromic sequences contained in this book, enhancing our kinesthetic awareness.

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Produktdetails

• Verlag: Ciro Plateroti
• Erscheinungstermin: 14. April 2022
• Englisch
• ISBN-13: 9781005619718
• Artikelnr.: 74384225

Autorenporträt

About the Author

Ciro Plateroti, I am an Argentine musician, percussionist, drummer, composer, arranger, musical director, singer-songwriter, drum and percussion teacher, artistic producer, eternal musical apprentice, author of 11 books, for instrumentalists in general, The book of movements (volumes 1, 2, 3 and 4) The big Book of Movements (translated into 8 languages) Palindromes 1 and Palindromes 2, Rhythmic Counterpoints for two Voices and Plasticity of Rhythmic Form. Control of movements and the current book, Multimetric System.
I am also the author of a book for martial arts in general The book of movements for martial arts.
In Argentina I started studying drums in a particular way with Jorge Lützow-Holm, then at the EMPA with Marcelo Frezia, also in parallel with Ernesto Zeppa, and forever self-taught.
He studied in Cuba, Brazil and Argentina with different teachers and percussion schools.
In Argentina I learned in different percussion schools La Katurga, with Santiago Comín
La Chillinga, Daniel Buira and Laura Pizzarelli, the CERPS with Santiago Vázquez, Lucas Helguero, and Andy Inchausty
In Cuba I took percussion classes with Yaroldi Abreu, (congas technique) Alejandro Carbajal (batá drums ) Younier Pons (Elements of Rumba)
In Argentina also I studied percussion with Julio Morales, Juan J. Martinez, Gaston Carabajal, and Fabricio Ortolan I also studied harmony Jorge Blengini and Federico Marquestó, Piano Jazz with Leopoldo Limeres and Lucas Pierro. I sing with Martin Ibarburen and Mariela Pacchioli.
Some musical projects of which I am a part are EL CLUB DEL RITMO, with Juan Paliza, Pablo Navone, Pablo Antico, and others where I was a composer and singer I also directed, composed and arranged for small wind orchestras with drums,
The Tukutá Tribe, cumbia bands, Tell me in the ear and others
I participated singing in Coral 3 directed by Mario Koniko, I played drums in Tangata Manú, Pilar Ternera, Los Caraquses, Orquesta Jabalí where Pablo Valotta played bass and sang Toto Rotblat (Fabulous cadillacs) I played percussion in salsa bands, La Tremeda with German Weil, Julian Cusmano, and Tomas Sivadon, was part of the Baccarat orchestra, also I sang and played for a time with Quitiplá, with Nani, Fiorenza and Gastón Carabajal, Drums and Cantos, from Venezuela, Peru, Cuba, Colombia, Guatemala, Brazil and other countries.

Currently, I learn and play jazz piano, compose and record music wi...