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  • Format: ePub


Bruno has a friend called Shmuel. Like Bruno, Shmuel is nine years old. Their birthdays are on the same day. But Shmuel lives on the other side of a fence, and he's always wearing striped pyjamas...
Based on the best-selling novel by John Boyne, The Boy in the Striped Pyjamas is a heart-wrenching tale of an unlikely friendship between two innocent boys. Angus Jackson's deeply affecting adaptation was produced by The Children's Touring Partnership and Chichester Festival Theatre on a UK tour in 2015.
'Heart-breaking... A marvelous piece of theatre' - The Public Reviews
'Parents
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Produktbeschreibung


Bruno has a friend called Shmuel. Like Bruno, Shmuel is nine years old. Their birthdays are on the same day. But Shmuel lives on the other side of a fence, and he's always wearing striped pyjamas...

Based on the best-selling novel by John Boyne, The Boy in the Striped Pyjamas is a heart-wrenching tale of an unlikely friendship between two innocent boys. Angus Jackson's deeply affecting adaptation was produced by The Children's Touring Partnership and Chichester Festival Theatre on a UK tour in 2015.

'Heart-breaking... A marvelous piece of theatre' - The Public Reviews

'Parents and teachers looking for a good way of introducing children to the horrors of the holocaust will find what they need in this adaptation of John Boyne's multimillion-selling novel' - The Times


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Autorenporträt
John Boyne was born in Ireland in 1971. He is the author of nine novels for adults, including The Absolutist and A History of Loneliness, and five novels for young readers, including three war stories, The Boy in the Striped Pyjamas, Stay Where You Are And Then Leave and The Boy at the Top of the Mountain. His work has received numerous literary awards and is published in over 45 languages. Angus Jackson is a theatre and film director who has worked at theatres including the National Theatre, Chichester Festival Theatre, and the Royal Shakespeare Company.
Rezensionen
This novel is a fine addition to a once taboo area of history, at least where children's literature is concerned. It provides an account of a dreadful episode short on actual horror but packed with overtones that remain in the imagination. Plainly and sometimes archly written, it stays just ahead of its readers before delivering its killer punch in the final pages Independent