Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
To see a Broadway musical is to experience how a drama, using melody, harmony, and rhythm, evokes the emotion needed to perpetuate a story line. Without music, many of these plays would not succeed, failing to convey the intended message. This new edition of Swain's classic text, winner of the 1991 ASCAP Deems Taylor Award, reveals how a musical drama achieves plot movement, character development and conflict through strategic placement of song and music in 20 musical plays. Unlike critical literature that has simply explored theatrical style and production histories, this survey focuses…mehr
To see a Broadway musical is to experience how a drama, using melody, harmony, and rhythm, evokes the emotion needed to perpetuate a story line. Without music, many of these plays would not succeed, failing to convey the intended message. This new edition of Swain's classic text, winner of the 1991 ASCAP Deems Taylor Award, reveals how a musical drama achieves plot movement, character development and conflict through strategic placement of song and music in 20 musical plays. Unlike critical literature that has simply explored theatrical style and production histories, this survey focuses mainly on the power of music. Illustrated with more than 150 musical excerpts and essays, Swain includes the latest research and viewpoints of contemporary critics, offering insight into dramatic expression and how renowned composers including Jerome Kern, George Gershwin, Jerry Bock, Stephen Sondheim and Andrew Lloyd Webber influenced the Broadway musical. This provides insights into the many impressive musicals to hit the stage between the years of 1927 and 1987, illuminating how specific revisions to productions such as Showboat and, Oklahoma! forever changed their popularity. Learn how music is used as a symbol for psychological or emotional action from Shakespearean drama's such as Kiss Me, Kate and West Side Story, to more current dramas including Godspell, A Chorus Line, and Jesus Christ Superstar. Replete with a never seen before essay on Les Misérables, this edition also includes an expanded epilogue highlighting the phenomena behind Miss Saigon and Phantom of the Opera, "megamusicals" that changed the direction of the Broadway tradition. For professors of dramatic arts and people interested in Broadway musicals, theater, popular music and opera.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Joseph P. Swain has taught music history and theory for more than 45 years. He is the former organist and director of music at St. Malachy's Church in Sherburne, New York, and former music director of Tapestry, the All-Centuries Singers, based in Clinton, New York. His latest work of criticism is Listening to Bach and Handel: A Comparative Critique. He has also written Sacred Treasure: Understanding Catholic Liturgical Music, Harmonic Rhythm, The BroadwayMusical, which won ASCAP's Deems Taylor Award in 1991, and Musical Languages, as well as a companion book in this series, A Historical Dictionary of Sacred Music.
Inhaltsangabe
Chapter 1 Preface to the First Edition Chapter 2 Preface to the Second Edition Chapter 3 1 Introduction Chapter 4 2 First Maturity Chapter 5 3 America's Folk Opera Chapter 6 4 Second Maturity Chapter 7 5 Morality Play as Musical Chapter 8 6 Shakespeare as Musical Chapter 9 7 The Pure Love Story Chapter 10 8 Myth as Musical Chapter 11 9 Tragedy as Musical Chapter 12 10 The Ethnic Musical Chapter 13 11 Religious Experience as Musical Chapter 14 12 History as Musical Chapter 15 13 Frame Story as Musical Chapter 16 14 Thriller as Musical Chapter 17 15 Epic as Musical Chapter 18 16 Epilogue Chapter 19 Endnotes Chapter 20 Index Chapter 21 About the Author
Chapter 1 Preface to the First Edition Chapter 2 Preface to the Second Edition Chapter 3 1 Introduction Chapter 4 2 First Maturity Chapter 5 3 America's Folk Opera Chapter 6 4 Second Maturity Chapter 7 5 Morality Play as Musical Chapter 8 6 Shakespeare as Musical Chapter 9 7 The Pure Love Story Chapter 10 8 Myth as Musical Chapter 11 9 Tragedy as Musical Chapter 12 10 The Ethnic Musical Chapter 13 11 Religious Experience as Musical Chapter 14 12 History as Musical Chapter 15 13 Frame Story as Musical Chapter 16 14 Thriller as Musical Chapter 17 15 Epic as Musical Chapter 18 16 Epilogue Chapter 19 Endnotes Chapter 20 Index Chapter 21 About the Author
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826