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Hannele did not lift her head from her work. She sat in a low chair under a reading-lamp, a basket of coloured silk pieces beside her, and in her hands a doll, or mannikin, which she was dressing. She was doing something to the knee of the mannikin, so that the poor little gentleman flourished head downwards with arms wildly tossed out. And it was not at all seemly, because the doll was a Scotch soldier in tight-fitting tartan trews. There was a tap at the door, and the same voice, a woman's, calling: 'Hannele?' 'Ja-a!' 'Are you here? Are you alone?' asked the voice in German. 'Yes-come in.'…mehr

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Produktbeschreibung
Hannele did not lift her head from her work. She sat in a low chair under a reading-lamp, a basket of coloured silk pieces beside her, and in her hands a doll, or mannikin, which she was dressing. She was doing something to the knee of the mannikin, so that the poor little gentleman flourished head downwards with arms wildly tossed out. And it was not at all seemly, because the doll was a Scotch soldier in tight-fitting tartan trews. There was a tap at the door, and the same voice, a woman's, calling: 'Hannele?' 'Ja-a!' 'Are you here? Are you alone?' asked the voice in German. 'Yes-come in.' Hannele did not sound very encouraging. She turned round her doll as the door opened, and straightened his coat. A dark-eyed young woman peeped in through the door, with a roguish coyness. She was dressed fashionably for the street, in a thick cape-wrap, and a little black hat pulled down to her ears.

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Autorenporträt
David Herbert Lawrence was born on September 11, 1885. He was not only an important but also disputable English essayist of the 20th century. He was one of the main scholars of English Modernism. Lawrence was a skilled author who wrote several books, brief tales, sonnets, plays, papers, travel guides, artistic creations, interpretations, abstract analyses, and individual letters. Lawrence is remembered today for stretching the boundaries beyond what was regarded as satisfactory in abstract fiction whereas different Modernists such as Joyce and Woolf were content to radicalize the types of writing, Lawrence focused on extending the scope of the artistic topic. Specifically, he consolidated Freudian therapy, forthright portrayals of sexuality, and enchanted strict subjects into his works that were very unexpected and fresh to the crowds of his time. Even though he is regarded as one of the main figures in the early history of Modernism, Lawrence stays questionable. His monstrous result is famously lopsided and he never lived to the point of refining his views into reasonable thoughts. Different pundits mock Lawrence unequivocally and it is the case that a portion of his lesser works was composed more to stun than to illuminate the brain with the brightness of workmanship genuinely. Regardless, Lawrence was a virtuoso of the greatest request, and his most modern sonnets and books are among the most persuasive works of 20th-century writing.