Each chapter moves back and forth between documented history and narrative storytelling. On one side, real figures, real trials, real bloodshed: landowners, bandits, politicians, magistrates, pentiti, and the slow, painful construction of the modern Italian and American states. On the other, Vito and Michael Corleone, fictional characters whose trajectories condense, dramatize, and sometimes exaggerate historical dynamics that were very real. The book never confuses the two, but it shows how closely they echo each other, and why cinema and reality became so deeply entangled in the public imagination.
From the olive groves of Sicily to the streets of New York, from Prohibition to the maxi-trials, the narrative explores how the mafia organized itself, professionalized violence, negotiated with power, and eventually learned to disappear into finance, politics, and global networks. It also examines how honor, family, loyalty, and silence were constructed as moral systems, both lived and staged, and how these codes justified domination as much as they masked fear.
The Century of the Corleones is not a glorification. It is a long, patient look at how myths are born, how they endure, and how they collapse. By placing historians, journalists, court records, and fictional scenes side by side, the book invites the reader to question what we think we know about the mafia, and why certain stories continue to fascinate long after the power behind them has faded.
In the end, this is a book about memory. About what survives when empires of violence lose their grip, and about how a fictional family came to symbolize a very real century of crime, compromise, and uneasy fascination on both sides of the Atlantic.
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