The structure of the book follows a budget top sheet, with each chapter describing the workflow and responsibilities of a different department and giving insights into the methods and techniques a director can use to understand the roles and dynamics. Each chapter is divided into four sections. Section one provides an overview of the department, section two focuses on directors who have used that department in notably effective ways, section three looks at collaboration from the reverse perspective with interviews from department members, and section four concludes each chapter with a set of tasks directors can use to prepare.
Ideal for beginner and intermediate filmmaking students, as well as aspiring filmmakers and early career professionals, this book provides invaluable insight into the different departments, and how a director can utilize the skills and experience of a crew to lead with knowledge and confidence.
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Ted Wilkes, Lecturer in Screenwriting, Regent's University, London
'Collaboration is at the heart of filmmaking. A great film is the product of the director's vision and how they execute it working with a multitude of creative and technical professionals. This book assuredly navigates both the student and the practiced filmmaker through the labyrinth of film departments. A must-read for any director who needs to collaborate with others to make their film. In other words, ALL directors must read this book!'
Ron Schildknecht, Filmmaker and Professor, Spalding University, Kentucky