The Coming Thing (eBook, ePUB) - Billson, Anne
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'She's going to die. I think we both know that. What's coming out of her is too big, too powerful, and it's going to tear her apart. I just hope it doesn't tear me apart as well...' Your best friend gets all the attention. Now she's pregnant with the Antichrist, religious maniacs are trying to kill her, and she wants to get an abortion. How do you compete with that, persuade her to keep the baby, and at the same time hold down your job as a bookshop assistant while trying not to think too much about decapitated Chihuahuas and the unpleasantness at the clinic? It's not easy. From the acclaimed…mehr

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Produktbeschreibung
'She's going to die. I think we both know that. What's coming out of her is too big, too powerful, and it's going to tear her apart. I just hope it doesn't tear me apart as well...' Your best friend gets all the attention. Now she's pregnant with the Antichrist, religious maniacs are trying to kill her, and she wants to get an abortion. How do you compete with that, persuade her to keep the baby, and at the same time hold down your job as a bookshop assistant while trying not to think too much about decapitated Chihuahuas and the unpleasantness at the clinic? It's not easy. From the acclaimed author of Suckers, Stiff Lips and The Ex comes an everyday story of female friendship versus suave assassins, pushy tabloid reporters, and the End of Days.

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Autorenporträt
Anne Billson is a film critic, novelist, photographer, screenwriter, film festival programmer, style icon, wicked spinster, evil feminist, and international cat-sitter. She has lived in London, Cambridge, Tokyo, Paris and Croydon, and now lives in Antwerp. She likes frites, beer and chocolate.

Her books include horror novels Suckers, Stiff Lips, The Ex, The Coming Thing and The Half Man; Blood Pearl, Volume 1 of The Camillography; monographs on the films The Thing and Let the Right One In; Breast Man: A Conversation with Russ Meyer; Billson Film Database, a collection of more than 4000 film reviews; and Cats on Film, the definitive work of feline film scholarship.

In 1993 she was named by Granta as one of their Best Young British Novelists. In 2012 she wrote a segment for the portmanteau play The Halloween Sessions, performed in London's West End. In 2015 she was named by the British Film Institute as one of 25 Female Film Critics Worth Celebrating.