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Beethoven's piano sonatas are a cornerstone of the piano repertoire and have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, examines each sonata in turn, drawing on the composer's sketches, autograph scores and early printed editions, as well as contextual material such as correspondence. Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them…mehr

Produktbeschreibung
Beethoven's piano sonatas are a cornerstone of the piano repertoire and have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, examines each sonata in turn, drawing on the composer's sketches, autograph scores and early printed editions, as well as contextual material such as correspondence. Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.


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Autorenporträt
Barry Cooper is Professor of Music at the University of Manchester. He has a wide range of research interests from medieval to 19th-century music, notably on English Baroque music and the music of Beethoven and his contemporaries. A world authority on Beethoven, his books on the composer include Beethoven and the Creative Process (1990; 2nd edn, 1992), Beethoven's Folksong Settings (1994), Beethoven (The Master Musicians, 2000; 2nd edn, 2008) and Beethoven: An Extraordinary Life (2013). He is also the General Editor and co-author of The Beethoven Compendium (1991; 2nd edn, 1996). His scholarly performing edition of Beethoven's 35 Piano Sonatas (London: ABRSM, 2007) won the award 'Best Classical Publication' of the year from the Music Industries Association.

Rezensionen
'A much-needed study of the "story" of Beethoven's piano sonatas. Cooper guides us diligently through the evolution of these cornerstones of the pianist's repertoire.'

John Irving, Trinity Laban Conservatoire of Music and Dance

'In this remarkable study, a first of its kind, Barry Cooper traces the compositional process of an entire genre, the thirty-five sonatas for the fortepiano, from Beethoven's daring first set of three sonatas composed when he was twelve through the last sonata of 1821-22. The values of such a comprehensive look are clearly evident here, and Cooper supplements the analysis of the sonatas with his deep insights on the composition of the symphonies and other genres. Every pianist and scholar deeply engaged in the sonatas will be both intrigued and enlightened with both the details and long view of Cooper's study.'

Will Meredith, San José State University