The house-mansion, really-he told Riley he owned is actually a rental, barely lived in and practically devoid of personal effects. The restaurant he claimed to own is owned by another and Navarre merely an investor. He apparently has no friends, no traceable past, and McKenzie isn't the only one looking for him. Whoever Juan Carlos Navarre is and wherever he's gone, the one thing that is clear is that he's trouble, and is perhaps someone-as Riley's family makes clear-better out of the picture. Unfortunately for everyone, McKenzie likes trouble and trouble likes him, in The Devil May Care by David Housewright.
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