This work offers a new narrative of the formative years of the Roxburghe Club, for the bibliomania of the Romantic period and for early nineteenth-century antiquarian culture and its relationship to the emergent popularity and status of English vernacular literature. It addresses what is shown to be a long-repeated myth: what the Club was and whether its scholarship and editing of early English literature merited respect or mockery. The book covers the make-up and membership of the Club including social and political affinities, literary and scholarly achievements and the substantial contribution made by the Club to widening awareness and understanding of earlier English writers and the establishment of a canon of English literature. This revised history offers an alternative narrative for the move between antiquarian and scholarly areas of influence in the study of English literature, and offers a plausible mechanism for the growing acceptance of vernacular English literature, both in academia and in a more general cultural sense.
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