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Beginning with an insightful study on the nature of man, Chesterton argues that the central character in history is Jesus Christ, the everlasting Man. No other explanation of the world fits the evidence. Exploding the stale formula of Christ as the pale product of human imagination, he triumphantly asserts the glory and unassailable logic of Christ as the God who, in the fullness of time, steps into his own creation. Displaying all of his brilliant synthesis and devastating irony, The Everlasting Man is perhaps Chesterton's best book. C. S. Lewis, who cited The Everlasting Man as one of the…mehr

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Produktbeschreibung
Beginning with an insightful study on the nature of man, Chesterton argues that the central character in history is Jesus Christ, the everlasting Man. No other explanation of the world fits the evidence. Exploding the stale formula of Christ as the pale product of human imagination, he triumphantly asserts the glory and unassailable logic of Christ as the God who, in the fullness of time, steps into his own creation. Displaying all of his brilliant synthesis and devastating irony, The Everlasting Man is perhaps Chesterton's best book. C. S. Lewis, who cited The Everlasting Man as one of the principal books in his conversion, said, "I read Chesterton's Everlasting Man and for the first time saw the whole Christian outline of history set out in a form that seemed to me to make sense."

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Autorenporträt
Chesterton was born in Campden Hill, Kensington, London, as the son of Edward Chesterton (1841-1922), an estate agent, and Marie Louise, nee Grosjean, of Swiss French descent. Chesterton was baptized into the Church of England when he was one month old, despite his family's inconsistent Unitarian practice. According to his book, as a young man, he was captivated by the occult and, with his brother Cecil, experimented with Ouija boards. He attended St Paul's School before moving on to the Slade School of Art to study illustration. The Slade is a department of University College London where Chesterton also took literary studies, but he did not earn a degree in either field. Chesterton developed the fictional priest-detective Father Brown and wrote on apologetics. Even those who disagree with him acknowledge the broad popularity of works like Orthodoxy and The Everlasting Man. Chesterton frequently referred to himself as an orthodox Christian, and he gradually identified this viewpoint with Catholicism before switching from high church Anglicanism. Biographers see him as a successor to Victorian authors like Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.