Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, "other minds," artificial intelligence, object-oriented ontology, and cinema and video game aesthetics.
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