God's face, says Melissa Raphael, was not hidden in Auschwitz, but intimately revealed in the female face turned towards the other as a refractive image of God, especially in the moral protest made visible through material and spiritual care for the assaulted other.
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'Raphael's vision is braev and daring. The female image of God does not remain a postulate, but is carefully described and convincingly argued ... The book is a great gain both for feminist post-holocaust theology and for reflection of an image of God that includes the experiences of women in situations of great suffering.' - Yearbook of the European Society of Women in Theological Research
'Raphael's vision is braev and daring. The female image of God does not remain a postulate, but is carefully described and convincingly argued ... The book is a great gain both for feminist post-holocaust theology and for reflection of an image of God that includes the experiences of women in situations of great suffering.' - Yearbook of the European Society of Women in Theological Research








