Nin's use of symbolism has never been more effective: the river Seine represents the immutable force of life, the houseboat is the elusive dream, the shore is reality, and a doll found by a fisherman represents the part of Djuna that has committed suicide to allow the rest of her to grow.
Djuna, through her torturous journey with Rango and Zora, arrives at a conclusion that is bitter yet critical to her survival as a woman seeking an understanding of how the exterior world affects the interior: "...very rarely did midnight strike in two hearts at once, very rarely did midnight arouse two equal desires, and that any dislocation in this, any indifference, was an indication of disunity, of the difficulties, the impossibilities of fusion between two human beings."
This new authoritative edition contains Nin's introduction, character descriptions, publishing history, and an author's chronology.
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