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A user's guide to opera-Matthew Aucoin, "the most promising operatic talent in a generation" (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art forms-music, drama, poetry,…mehr
A user's guide to opera-Matthew Aucoin, "the most promising operatic talent in a generation" (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art forms-music, drama, poetry, dance-into a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music-opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works-ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin-that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera's greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera's iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world.
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Autorenporträt
Matthew Aucoin is an American composer, conductor, and writer. His operas have been commissioned and presented by the Metropolitan Opera, the Los Angeles Opera, Lyric Opera of Chicago, and many other companies, and his instrumental music has been performed by Yo-Yo Ma, the Brentano Quartet, and other artists. He is a cofounder of the American Modern Opera Company (AMOC) and was the Los Angeles Opera's artist in residence from 2016 to 2020. He is a 2018 MacArthur Fellow.
Inhaltsangabe
Preface 1. A Field Guide to the Impossible 2. Primal Loss: Orpheus and Eurydice in Opera A Guide to Four Hundred Years of Orphic Operas The Impossible Moment: Claudio Monteverdi's L'Orfeo Music as Consolation: Marc-Antoine Charpentier's La descente d'Orphée aux enfers Supersaturation: Harrison Birtwistle's The Mask of Orpheus 3. The Firewood and the Fire: Words, Music, and Stravinsky's The Rake's Progress 4. Verdi's Shakespeare Operas: Macbeth, Otello, Falstaff Verdi's Warmth Raw Material: Macbeth The Overreacher: The Singular Career of Arrigo Boito Expansion and Contraction: Otello A Last Step, a First Step: Falstaff 5. Walt Whitman's Impossible Optimism 6. Inner Rooms: Two Recent Impossibilities Thomas Adès's The Exterminating Angel Chaya Czernowin's Heart Chamber 7. Finding Eurydice A Conversation with Sarah Ruhl 8. Music as Forgiveness: Mozart's Le Nozze Di Figaro Works Referenced Recommended Recordings Acknowledgments
Preface 1. A Field Guide to the Impossible 2. Primal Loss: Orpheus and Eurydice in Opera A Guide to Four Hundred Years of Orphic Operas The Impossible Moment: Claudio Monteverdi's L'Orfeo Music as Consolation: Marc-Antoine Charpentier's La descente d'Orphée aux enfers Supersaturation: Harrison Birtwistle's The Mask of Orpheus 3. The Firewood and the Fire: Words, Music, and Stravinsky's The Rake's Progress 4. Verdi's Shakespeare Operas: Macbeth, Otello, Falstaff Verdi's Warmth Raw Material: Macbeth The Overreacher: The Singular Career of Arrigo Boito Expansion and Contraction: Otello A Last Step, a First Step: Falstaff 5. Walt Whitman's Impossible Optimism 6. Inner Rooms: Two Recent Impossibilities Thomas Adès's The Exterminating Angel Chaya Czernowin's Heart Chamber 7. Finding Eurydice A Conversation with Sarah Ruhl 8. Music as Forgiveness: Mozart's Le Nozze Di Figaro Works Referenced Recommended Recordings Acknowledgments
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