The first four chapters provides the religious basis of the Sanskrit drama, it's essentially idealistic, poetic and romantic atmosphere along with its characteristic contribution of the rasa theory. The second part of the book discusses the rise of the European theatres, mostly amateur in character, in the three great cities of India- Calcutta, Bombay and Madras. This is an important historical reference work for students and scholars of Indian theatre, theatre history, and theatre and performance studies.
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