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This book analyzes the role of the theatrical simpleton in the pasos of the sixteenth-century playwright Lupe de Rueda, in Mario Moreno's character "Cantinflas," and in the esquirol of the 1960s Actos of the Teatro Campesino. Spanning multiple regions and time periods, this book fills an important void in Spanish and theatrical studies.
This book analyzes the role of the theatrical simpleton in the pasos of the sixteenth-century playwright Lupe de Rueda, in Mario Moreno's character "Cantinflas," and in the esquirol of the 1960s Actos of the Teatro Campesino. Spanning multiple regions and time periods, this book fills an important void in Spanish and theatrical studies.
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Autorenporträt
Delia Méndez Montesinos is a Senior Lecturer in the Department of Spanish and Portuguese at the University of Texas in Austin where she teaches both advanced language and literature courses and was the General Language Program Coordinator.
Inhaltsangabe
Preface Acknowledgments Introduction Chapter One: On Laughter, Fools, and Comedy Chapter Two: Simple, Peladito, and Rasquachi: Topsy-Turvying Identities Chapter Three: The Verbal and Kinesthetic Language of the Simpleton Chapter Four: Costumes and Other External Signs Conclusion Bibliography
Preface Acknowledgments Introduction Chapter One: On Laughter, Fools, and Comedy Chapter Two: Simple, Peladito, and Rasquachi: Topsy-Turvying Identities Chapter Three: The Verbal and Kinesthetic Language of the Simpleton Chapter Four: Costumes and Other External Signs Conclusion Bibliography
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