It ends with breath.
A hidden facility fractures beneath the earth, releasing a silver mist that spreads faster than borders can close. People cough. Bodies change. Governments deny, then collapse. What was meant to be contained escapes into the air itself.
Lena Ortiz is a field recorder, trained to witness, not intervene. As cities burn and faith replaces science, she moves through refugee lines, black markets, sealed parliaments, and underground cults built around a single symbol, the spiral. Everywhere she goes, people are choosing transformation over fear, even when the cost is their own flesh.
The deeper Lena digs, the closer the story becomes to her own blood. The system behind the crisis has a name, Erebus, and its architect was not a stranger. What the world calls a plague was never a cure. It was a correction.
As containment fails completely and the sky itself carries the rewrite, Lena is forced into a final choice. Preserve humanity as it is, flawed and dying, or release a design that promises survival without consent.
In a world where truth can no longer be safely recorded, The Last Containment asks a final question.
If evolution is forced, is it still survival?
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