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Examines Pinter's often overlooked work in alternative media, from poetry to speeches Draws extensively on little-accessed archival material to bring further insights into Pinter's creative process Views Pinter's political output through the lens of affect

Produktbeschreibung
Examines Pinter's often overlooked work in alternative media, from poetry to speeches
Draws extensively on little-accessed archival material to bring further insights into Pinter's creative process
Views Pinter's political output through the lens of affect

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Basil Chiasson is Research Fellow at the University of Leeds. He is a member of the AHRC-funded 'Harold Pinter: Histories and Legacies' research team. Previous publications include contributions to Modern Drama, The Theatre of Harold Pinter and Harold Pinter's The Dumb Waiter.

Rezensionen
"This book was very well written, and Chiasson went above and beyond to explain to readers how Pinter's later works used both affect and aesthetics to convey their messages. ... this book would be important to anyone who wants to study politics, poetics, rhetoric, and the media. This could be a particularly good book for a class that is studying media and politics." (Katy Johnson, CBQ Communication Booknotes Quarterly, Vol. 49 (2), 2018)