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The Lost Tradition of Dvorák's Operas: Myth, Music, and Nationalism examines Antonín Dvorák's operas, specifically Jakobín and Rusalka, from a critical standpoint, focusing on such criteria as tonal structures, thematic material and motives, subject matter, Czech folklore and musical influences, textual language, nationalism, characters, compositional history, performance history, and reception. This research vindicates and validates Dvorák as an opera composer and shows him to be an overlooked master in nineteenth century opera and the bridge between the Verdi and Wagner traditions.
The Lost Tradition of Dvorák's Operas: Myth, Music, and Nationalism examines Antonín Dvorák's operas, specifically Jakobín and Rusalka, from a critical standpoint, focusing on such criteria as tonal structures, thematic material and motives, subject matter, Czech folklore and musical influences, textual language, nationalism, characters, compositional history, performance history, and reception. This research vindicates and validates Dvorák as an opera composer and shows him to be an overlooked master in nineteenth century opera and the bridge between the Verdi and Wagner traditions.
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Autorenporträt
John Holland is member of the contract music faculty at York University.
Inhaltsangabe
Table of Contents List of Figures Acknowledgements Chapter One: Introduction Chapter Two: The Evolution of Opera in Post-Napoleonic Europe Chapter Three: The Birth of Czech Opera and the National Theatre Chapter Four: Dvorák's Life and Travels Chapter Five: A Microcosm of Dvorák's Opera; Analysis of Jakobín and Rusalka Chapter Six: The Performance History of the Operas Chapter Seven: Returning Dvorák's Voice to the Operatic Stage Bibliography Appendix: Further Reading and Listening
Table of Contents List of Figures Acknowledgements Chapter One: Introduction Chapter Two: The Evolution of Opera in Post-Napoleonic Europe Chapter Three: The Birth of Czech Opera and the National Theatre Chapter Four: Dvorák's Life and Travels Chapter Five: A Microcosm of Dvorák's Opera; Analysis of Jakobín and Rusalka Chapter Six: The Performance History of the Operas Chapter Seven: Returning Dvorák's Voice to the Operatic Stage Bibliography Appendix: Further Reading and Listening
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