The Making and Unmaking of a Saint traces the rise and fall of devotion to Gerald of Aurillac through a millennium, from his death in the tenth century to the attempt to reinvigorate his cult in the nineteenth century. Mathew Kuefler makes a strong case for the sophistication of hagiography as a literary genre that can be used to articulate religious doubts and anxieties even as it exalts the saints; and he overturns the received attribution of Gerald's detailed Vita to Odo of Cluny, identifying it instead as the work of the infamous eleventh-century forger Ademar of Chabannes. Through his careful examination, the biographies and iconographies that mark the waxing and waning of Saint Gerald's cult tell an illuminating tale not only of how saints are remembered but also of how they are forgotten.
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