Interrogating not only the founders' political and economic ambitions, but also how their corporations are omnipresent in our everyday lives, the authors provide robust evidence that a specific kind of patriarchal power has emerged as digital capitalism's mode of command. The 'New Patriarchs' examined over the course of the book include: Sergey Brin and Larry Page of Google, Elon Musk of Tesla, Jeff Bezos of Amazon, Mark Zuckerberg of Facebook, and Peter Thiel. We also include Sheryl Sandberg. The book analyses how these (mostly) men legitimate their rapidly acquired power, tying a novel kind of socially awkward but 'visionary' masculinity to exotic forms of shareholding. Drawing on a ten million word digital concordance, the authors intervene in feminist debates on patriarchy, masculinity, and postfeminism, locating the power of the founders as emanating from a specifically racialised structure of oppression tied to imaginaries of the American frontier, the patriarchal household, and settler colonialism.
This is an important interdisciplinary contribution suitable for researchers and students across Digital Media, Media and Communication, and Gender and Cultural Studies.
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- Dr. Debbie Ging, Associate Professor of Media Studies, Dublin City University
"This is a much-needed field guide to the apex predators of tech. Little and Winch reveal the ideological terrain, the cult of celebrity, and the dominant features of patriarchal capitalism that have shaped Silicon Valley and far beyond."
- Kate Crawford, author of Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence
"Written at a cultural moment when people around the globe are necessarily engaging with technologies in everyday life, The New Patriarchs is an incredibly timely and brilliant analysis of the deep interrelations between and within gender, technology, and capitalism. Resisting a simplistic analysis of the founders of tech companies, Winch and Little offer us an astute framing that positions these founders within the landscapes of patriarchy, celebrity, the household, and myths of the Western frontier. A true interdisciplinary project, the book engages with feminist theory, science and technology studies, political science, and cultural studies, and thus offers us complex conceptualizations of not only the role of technology in society, but also the ways in which patriarchies structure the way we use and understand technologies, and it clearly theorizes the ideologies, histories, and values of the people who run and organize the dominant media platforms in the world."
- Sarah Banet-Weiser, Professor of Media and Communications, London School of Economics