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The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal…mehr
The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.
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Autorenporträt
Karin M. Danielsson is associate professor in English at Mälardalen University. Kenneth K. Brandt is professor of English at the Savannah College of Art and Design.
Inhaltsangabe
Contents Acknowledgments Introduction Section I: Other Species Chapter 1. The Outer Animals: Non-Othered Nonhumans in McTeague Karin M. Danielsson Chapter 2: Jack London and the Perils of Human Exceptionalism-or Jack London's Call for Species Interdependence Paul Crumbley Chapter 3: The Social Contract and Human-Animal Equality in Dreiser's "McEwen of the Shining Slave Makers" Patti Luedecke Chapter 4: Extinction, Genocide, and Atomic Anxiety: Storks in Hemingway's Under Kilimanjaro Lisa Tyler Section II: Land and Sea Chapter 5: Environment, Emotion, and the Individual in "The Open Boat" Rob Welch Chapter 6: Anthropomorphism Reconsidered: Nature Faking in Jack London's "All Gold Canyon" Paul Baggett Chapter 7: "Love" of the Land as Agrilogistic Tragedy in O Pioneers!: Hazards while Embracing Nonhumans Ryan Hediger Section III: Cityscapes and Pseudonature Chapter 8: Wharton's Architectural Imagination in The House of Mirth Daniel Dufournaud Chapter 9: Pseudonature in Edith Wharton's The House of Mirth Jency Wilson Chapter 10: Naturalism's Nonhuman Streets: Food and Waste in Ann Petry's Writing Cara Erdheim Kilgallen Section IV: Image, Object, Text Chapter 11: Between Word and Image: Western Landscape and Photographic Rhetoric in Stephen Crane's Prose Writing Francesca Razzi Chapter 12: "The Cruel Radiance of What Is": The Reality of Things in James Agee and Walker Evans's Let Us Now Praise Famous Men Markku Lehtimäki Section V: Last Things Chapter 13 Trouble with Human-Nonhuman Distinctions in Dreiser, London, Hamilton, and Dick Kenneth K. Brandt Chapter 14: Davids and Goliaths: Last Days Reconciliation Between Humans and Nonhumans in Don DeLillo's Zero K and Kurt Vonnegut's Galápagos Ingemar Haag Chapter 15: Writing What Remains: Naturalism and the Nonhuman after Nature in Sheri S. Tepper's Plague of Angels Trilogy Stephanie Studzinski Index About the Contributors
Contents Acknowledgments Introduction Section I: Other Species Chapter 1. The Outer Animals: Non-Othered Nonhumans in McTeague Karin M. Danielsson Chapter 2: Jack London and the Perils of Human Exceptionalism-or Jack London's Call for Species Interdependence Paul Crumbley Chapter 3: The Social Contract and Human-Animal Equality in Dreiser's "McEwen of the Shining Slave Makers" Patti Luedecke Chapter 4: Extinction, Genocide, and Atomic Anxiety: Storks in Hemingway's Under Kilimanjaro Lisa Tyler Section II: Land and Sea Chapter 5: Environment, Emotion, and the Individual in "The Open Boat" Rob Welch Chapter 6: Anthropomorphism Reconsidered: Nature Faking in Jack London's "All Gold Canyon" Paul Baggett Chapter 7: "Love" of the Land as Agrilogistic Tragedy in O Pioneers!: Hazards while Embracing Nonhumans Ryan Hediger Section III: Cityscapes and Pseudonature Chapter 8: Wharton's Architectural Imagination in The House of Mirth Daniel Dufournaud Chapter 9: Pseudonature in Edith Wharton's The House of Mirth Jency Wilson Chapter 10: Naturalism's Nonhuman Streets: Food and Waste in Ann Petry's Writing Cara Erdheim Kilgallen Section IV: Image, Object, Text Chapter 11: Between Word and Image: Western Landscape and Photographic Rhetoric in Stephen Crane's Prose Writing Francesca Razzi Chapter 12: "The Cruel Radiance of What Is": The Reality of Things in James Agee and Walker Evans's Let Us Now Praise Famous Men Markku Lehtimäki Section V: Last Things Chapter 13 Trouble with Human-Nonhuman Distinctions in Dreiser, London, Hamilton, and Dick Kenneth K. Brandt Chapter 14: Davids and Goliaths: Last Days Reconciliation Between Humans and Nonhumans in Don DeLillo's Zero K and Kurt Vonnegut's Galápagos Ingemar Haag Chapter 15: Writing What Remains: Naturalism and the Nonhuman after Nature in Sheri S. Tepper's Plague of Angels Trilogy Stephanie Studzinski Index About the Contributors
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