That the seascape has also become a fluid studio for visual artists may come as a surprise. The works of art, some of which the author has experienced first-hand, have intertwined with an ecological, sustainable way of working. And this is also true to a special degree for the sound artists. They realize their sonic worlds with recordings from the sounding world underwater, a concert hall of hitherto unknown dimensions. The author's experience as a professor of media art with students flows into the description of multimedia or media-related ocean installations. Here the book becomes a stimulus for realizing one's own experiences.
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