The Omen & The Swan is a requiem for the digital age - a metal-philosophical hymn written in nineteen fragments. Static becomes scripture. Data becomes prayer. The signal hums like prophecy. Across two movements - The Omen and The Swan - the Codex turns distortion into meaning. It begins in the machinery of fear and ends in fragile grace: algorithms, attention, faith, and the quiet return of beauty through ruin. This is not traditional poetry. It is rhythm and silence forged together - a concept album in text form, where each line lands like a drum hit or echo of distortion. For readers who hear rhythm in ruin, reverence in decay, and hope in what remains.
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