A formal, deeply fragmented memoir examining the psychological friction of returning to a vacated childhood apartment after decades. Through intense sensory focus specifically the feeling of cold metal, rough fabric, and pervasive dampness the narrator struggles to reconcile physical memory with the present- day erasure of time. This is a study of useless specificity, obsessive chronology, and the unbearable lightness of objects once heavy with history. It is a work of pure cognitive drift, resisting summary, moralizing, or narrative closure.
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