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  • Format: ePub

This is a chapter taken from Alex Ross's groundbreaking history of twentieth-century classical music, The Rest is Noise.
Ross shows how the flowering of avant-garde music in early twentieth-century Russia was co-opted, corrupted and crushed by the dictatorial ideology of Stalin's Russia, with great composers including Shostakovich and Prokofiev forced to choose between collaboration, exile or ostracism.
Now a major festival running throughout 2013 at London's Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art's troublesome
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Produktbeschreibung
This is a chapter taken from Alex Ross's groundbreaking history of twentieth-century classical music, The Rest is Noise.

Ross shows how the flowering of avant-garde music in early twentieth-century Russia was co-opted, corrupted and crushed by the dictatorial ideology of Stalin's Russia, with great composers including Shostakovich and Prokofiev forced to choose between collaboration, exile or ostracism.

Now a major festival running throughout 2013 at London's Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art's troublesome dance with politics, social and cultural change.

Alex Ross is the New Yorker's music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.


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Autorenporträt
Alex Ross has been the music critic of the 'New Yorker' since 1996. From 1992 to 1996 he wrote for the 'New York Times'. His first book, 'The Rest is Noise: Listening to the Twentieth Century', published in 2007, was awarded the Guardian First Book Award and was shortlisted for the Pulitzer and Samuel Johnson prizes. In 2008 he became a MacArthur Fellow. A native of Washington, DC, he now lives in Manhattan.