The Routledge Companion to African American Art History (eBook, ePUB)

Redaktion: Chambers, Eddie

• Format: ePub

Produktbeschreibung

This Companion authoritatively points to the main areas of enquiry within the subject of African American art history.

The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art.

This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 522
• Erscheinungstermin: 12. November 2019
• Englisch
• ISBN-13: 9781351045179
• Artikelnr.: 58256102

Autorenporträt

Eddie Chambers is Professor in the Department of Art and Art History, at the University of Texas, Austin.

Inhaltsangabe

Part One: Historical Framings; 1 Patricia Hills: 'History Must Restore What
Slavery Took Away': Freeman H. M. Murray, Double-Consciousness, and the
Historiography of African American Art History; 2 Mary Ann Calo: The
Significance of the Interwar Decades to Scholarship on African American
Art; 3 Phoebe Wolfskill: The Enduring Relevance of the Harlem Renaissance;
4 John Ott: African American Art Beyond the Harlem Renaissance; 5 Melanie
Anne Herzog: African American Artists and Mexico; 6 Anna Arabindan-Kesson:
Caribbean Absences in African American Art; 7 Tobias Wofford: The Influence
of African Art on African American Art; 8 Kirsten Pai Buick: Confessions of
an Unintended Reader: African American Art, American Art, and the Crucible
of Naming; 9 Tanya Sheehan: On Display: The Art of African American
Photography; 10 Margo Natalie Crawford: When Black Experimentalism Became
Black Power: The Black Arts Movement and its Legacies; Part Two: Within the
Academy; 11 John Tyson: The Washington Renaissance: Black Artists and
Modern Institutions; 12 Tatiana Flores: Disturbing Categories, Remapping
Knowledge; 13 Andrea Barnwell Brownlee: The Atlanta University Center: A
Nucleus of Visual Art; 14 Sarah Lewis: African American Abstraction; 15
Mary M Thomas: Within/Against: Circuits and Networks of African American
Art in California; 16 Kymberly Pinder: Black Grace: The Religious Impulse
in African American Art; 17 Theresa Leininger-Miller: New Negro Artists in
Paris in the 1920s and 1930s; 18 Nizan Shaked: Getting to a Baseline on
Identity Politics: the Marxist Debate; 19 Rebecca Zorach: African American
Artists and the Community Mural Movement; 20 Betty Crouther: The South in
African American Art; Part Three: Curatorial Histories and Strategies; 21
Lesley Shipley: New York in/and African American Art History; 22 Blake
Bradford: Ain't No Stoppin' Us Now - African American Artists in
Philadelphia since 1940; 23 Katherine Jentleson: Surveying the Presence of
Self-Taught African American Artists in American Museums; 24 Richard
Hylton: Status and Presence: African American Art in the International
Arena; 25 Modupe Labode: Black Public Art in the United States; 26 Nicholas
Miller: The History of the Group Exhibition from the Harmon Foundation to
Black Male; 27 Elaine Yau: Black / Folk / Art: Shapeshifting Roles of "the
Folk" in African American Art; 28 Julie McGee: The Artist & the Archive:
African American Art; 29 Nika Elder: African American Art and the White
Cube; 30 Celeste-Marie Bernier: "Feeling for my People": Visualizing
Resistance, Radicalism, and Revolution; Part Four: Historical, Modern and
Contemporary Considerations; 31 Uri McMillan: Unruly Polyvocality: Networks
of Black Performance Art; 32 Leslie Wilson: Can You Get to That': The funk
of 'conceptual-type art'; 33 Rehema C. Barber: Picturing Freedom: The
Legacy of Representing Black Womanhood; 34Allan Edmunds: The Printed Image:
Process and Influences in African American Art; 35 Derek Conrad Murray:
Queer Aesthetics in the History of African American Art; 36 Nigel Freeman:
African-American Artists and the Art Market: A Dream Deferred; 37 Kemi
Adeyemi: Black Women Curators: A Brief Oral History of the Recent Past; 38
Rebecca VanDiver: Breaking Ground: Constructions of Identity in African
American Art; 39 James Smalls: Post-blackness and New Developments in
African American Art and Art History; 40 Eddie Chambers: African American
Art History: Concluding Considerations