The Routledge Companion to Dramaturgy (eBook, ePUB)

Redaktion: Romanska, Magda

• Format: ePub

Produktbeschreibung

Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "e;play making."e; Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics.In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist.This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspectivedramaturgy as function, verb and skilldramaturgical leadership and season planningproduction dramaturgy in translationadaptation and new play developmentinterdisciplinary dramaturgyplay analysis in postdramatic and new media dramaturgysocial media and audience outreach.Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 568
• Erscheinungstermin: 7. August 2014
• Englisch
• ISBN-13: 9781135122881
• Artikelnr.: 41502917

Autorenporträt

Magda Romanska

Inhaltsangabe

Introduction



Magda Romanska



Part I World dramaturgy in the twenty-first century

1 Robert Blacker looks at the past and future of American dramaturgy



Jacob Gallagher-Ross and Robert Blacker



2 Contemporary new play dramaturgy in Canada



Brian Quirt



3 Collaborative dramaturgy in Latin American theater



Margarita Espada



4 Documentary dramaturgy in Brazil



Julie Ann Ward



5 The place of a dramaturg in twenty-first century England



Duska Radosavljevic



6 On German Dramaturgy



Bernd Stegemann

Translated by Johannes Stier



7 The making of La Dramaturgie in France



Kate Bredeson



8 Dramaturgy and the role of the dramaturg in Poland



Agata Dabek

Translated by Michael Leonard Kersey Morris



9 The new play dramaturgy in Russia



Pavel Rudnev

Translated by Jessica Hinds-Bond



10 Dramaturgy in post-revolution Iran: problems and prospects



Marjan Moosavi



11 Performing dramaturgy in Syria: observations and interview with Mayson Ali



Fadi Fayad Skeiker



12 Official and unofficial dramaturgs: dramaturgy in China



William Huizhu Sun



13 Dramaturgy of Separated Elements in the Experimental Japanese Theatre



Eiichiro Hirata



14 Dramaturgy in Indian theatre: a closer view



Ketaki Datta



15 Dramaturgy in Australia and the case of Avast and Doku Rai



Peter Alexander Eckersall



16 Dramaturgies in/of South Africa



Marié-Heleen Coetzee and Alan Munro



Part II Dramaturgy in the age of globalization

17 The dramaturg as globalist



Tom Sellar



18 Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators



Anne Hamilton



19 The National Theatre goes international: global branding and the regions



Jens Peters



20 From alienation to identity: transnational communication of Russian-Israeli theatre



Miriam Yahil-Wax



21 Intercultural dramaturgy: dramaturg as cultural liaison



Walter Byongsok Chon



22 The dramaturgical bridge: contextualizing foreignness in multilingual theatre



Debra Caplan



23 Reading and (re)directing "racial scripts" on and beyond the stage



Faedra Chatard Carpenter



24 Transcultural dramaturgy methods



Judith Rudakoff



25 The dramaturgical process and global understanding



Robyn Quick



26 European dramaturgy in the twenty-first century



Marianne Van Kerkhoven



Part III Dramaturgy in motion: demolitions, definitions, and demarcations

27 Dramaturgy on shifting grounds



Hans-Thies Lehmann and Patrick Primavesi



28 Dramaturgy as skill, function, and verb



Lawrence Switzky



29 Interactual dramaturgy: intention and affect in interdisciplinary performance



Bruce Barton



30 The expansion of the role of the dramaturg in contemporary collaborative performance



Sarah Sigal



31 Who is the dramaturg in devised theatre?



Teresa Stankiewicz



32 Finding our hyphenates: a new era for dramaturgs



Jessica Applebaum



33 Dramaturgy as a way of looking into the spectator's aesthetic experience



Milan Zvada



34 Dramaturgy as training: a collaborative model at Shakespeare's Globe



Amy Kenny



35 The art of collaboration: on dramaturgy and directing



Anne Bogart and Jackson Gay



36 Dramaturgy in action{...}even if it's not as a dramaturg



Thomas A. Oldham



Part IV Dramaturgs as artistic leaders and visionaries: privileges and responsibilities of the office

37 Dramaturgs as artistic leaders



Gideon Lester



38 Dramaturgical leadership and the politics of appeal in commercial theatre



Ken Cerniglia



39 On dramaturgy and leadership



Vicki Stroich



40 Leadeship advice to a dramaturgy student



Anne Cattaneo



41 Season planning: challenges and opportunities



Edward Sobel



42 The dramaturg's role in diversity and audience development



Julie Felise Dubiner



43 Guthrie Theater's debt to women and diversity



Marianne Combs



44 Reimagining the literary office: designing a department that fulfills your purpose



Janine Sobeck



45 The National New Play Network Collaborative Literary Office: new tools for old tricks



Jason Loewith and Gwydion Suilebhan



Part V Dramaturg as context manager: transculturalism, translation, adaptation, and contextualization

46 A view from the bridge: the dramaturg's role when working on a play in translation



Katalin Trencsényi



47 Lost in translation



Gitta Honegger



48 The dissemination of theatrical translation



Adam Versényi



49 Literary adaptation for the stage: a primer for adaptation dramaturgs



Jane Barnette



50 Intermingling literary and theatrical conventions



Tomasz Wisniewski



51 Research strategies in dramaturgical practice



Matt DiCintio



52 Dramaturg as context manager: a phenomenological and political practice



Graça Corrêa



53 New play explorations in the twenty-first century



Mark Bly



54 Thinking like an actor: a guide for the production dramaturg



Andrew Ian Carlson



55 The youth respondent method: new work development for Theatre for Young Audiences



Kristin Leahey



Part VI Dramaturgy among other arts: interdisciplinarity, transdisciplinarity, and transvergence

56 Complex in-betweeness of dramaturgy and performance studies



Marin Blazevic



57 The dramaturg(ies) of puppetry and visual theatre



Dassia N. Posner



58 A method for musical theatre dramaturgy



Brian D. Valencia



59 Borderless dramaturgy in dance theatre



Vessela S. Warner



60 The role of the dramaturg in the creation of new opera works



Andrew Eggert



61 Dramaturgy and film



Gerry Potter



62 Phronesis for robots: (re)covering dramaturgy as an Interdiscipline



Michael Chemers



63 Dramaturgical design of the narrative in digital games



Klaus P. Jantke



64 New media dramaturgy



Peter Eckersall, Helena Grehan, and Edward Scheer



65 The science of dramaturgy and the dramaturgy of science



Jules Odendahl-James



Part VII Dramaturg as systems analyst: dramaturgy of postdramatic structures

66 Postdramatic dramaturgy



Gad Kaynar



67 Teaching deconstructively



Barbara Johnson



68 EF's visit to a small planet: some questions to ask a play



Elinor Fuchs



69 Dramaturging non-realism: creating a new vocabulary



Tori Haring-Smith



70 On dramaturgy in contemporary dance and choreography



Sandra Noeth



71 Research, counter-text, performance: reconsidering the (textual) authority of the dramaturg



D. J. Hopkins



72 The bead diagram: a protean tool for script analysis



Shelley Orr



73 Methods for a new dramaturgy of digital performance



Jodie McNeilly



74 Drametrics: what dramaturgs should learn from mathematicians



Magda Romanska



75 Parallel-text analysis and practical dramaturgies



Toby Malone



Part VIII Dramaturg as public relations manager: immersions, talkbacks, lobby displays, and social networks

76 Dramaturgy and the immersive theatre experience



Catherine Bouko



77 Barrack-dramaturgy and the captive audience



András Visky



78 Framing the theatrical experience: lobby displays



Miriam Weisfeld



79 Dramaturg as public relations manager



Katie Rasor



80 Talkbacks: asking good discussion questions



Jodi Kanter



81 Talkbacks for "sensitive subject matter" productions: the theory and practice



Martine Kei Green-Rogers



82 Dramaturgies for the digital age



Ilinca Todoru



83 Digital engagement: strategies for online dramaturgy



Tanya Dean



84 Digital dramaturgy and digital dramaturgs



LaRonika Thomas



85 Can technology save theatre? Tweet Seats, YouTube auditions, and Facebook backstage?



Randi Zuckerberg

Rezensionen

"Romanska has put together a robust, impressively comprehensive volume that covers the ever-broadening scope of contemporary dramaturgy within a global context... this volume reveals the established, emerging, and imagined ideas of what dramaturgy is and could be... [it] is destined to become a go-to reference for practitioners and students of dramaturgy, along with directors, critics, playwrights, and theater scholars. Highly recommended."

- Choice

"It is not overstating the case to say that this volume will for sure be the book of reference for students, scholars, and dramaturgs in the fields named above if it comes to questions of dramaturgy. The Routledge Companion to Dramaturgy goes far beyond a conventional handbook on dramaturgy as a way to structure a text to be staged. Rather, it claims attention to and evokes interest for the variety of a concept and a profession that not only covers crucial aspects of the field, but also implicitly highlights the richesse of dramaturgy as a field of study and therefore advocates theatre, performance and media studies as important disciplines that have a long history whose end is not in sight."

- Journal of Contemporary Drama in English

"A wide range of working methods in postdramatic theatre outlined in clear terms."

- Theatralia

"A timely gift to the world of contemporary theatre."

- American Theatre

"A singular, vital, and necessary contribution to the field."

- Platform: Postgraduate Journal of Theatre Arts

"An indispensable resource for anyone serious about dramaturgy."

- Contemporary Theatre Review

"The Routledge Companion to Dramaturgy will prove highly useful in theatre and performance practice, education, and scholarship."

- Theatre Survey

"Offers an impressive range of voices and insights into dramaturgical practice."

- Theatre Research International