The organization of the book moves chronologically, taking a conceptual and thematic framework. This collection provides a spectrum of object-based case studies of artistic production-objects and object-types-from six continents between the 1400s and 1800s. Contributions take an art historical approach characterized by a close analysis of form, function, and meaning, with a particular focus on questions of cross-cultural dialog and provenance. Additionally, there is an emphasis on material culture.
The book will interest scholars working in African diaspora studies, art history, visual culture, material culture, Indigenous studies, Renaissance studies, musicology, early modern studies, decolonial studies, and race and racism studies.
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