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A consummate compendium that highlights the work of an audacious, incomparable theatremaker. A vital presence in the avant-garde theatre movement since the 1970s, Robbie McCauley worked as a playwright, director, and performer for many decades, garnering international acclaim for her thought-provoking work. Her plays consistently confronted uncomfortable truths about race and racism in America by breaking down the walls between performer and spectator. McCauley's uncompromising and uplifting work sought to highlight the varied lived experiences of Black women, as well as their indelible…mehr
A consummate compendium that highlights the work of an audacious, incomparable theatremaker.
A vital presence in the avant-garde theatre movement since the 1970s, Robbie McCauley worked as a playwright, director, and performer for many decades, garnering international acclaim for her thought-provoking work. Her plays consistently confronted uncomfortable truths about race and racism in America by breaking down the walls between performer and spectator. McCauley's uncompromising and uplifting work sought to highlight the varied lived experiences of Black women, as well as their indelible mark on global culture.
In this volume, you'll find:
The full text of McCauley's plays Sally's Rape, Indian Blood, Sugar, and Jazz 'n Class
Insightful introductions to each play
Additional essays by McCauley and other leading writers and academics about her work and legacy
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Autorenporträt
Robbie McCauley was a playwright, director, and performer who was an active presence in the American avant-garde theatre for several decades. One of the early cast members of Ntozake Shange's for colored girls who have considered suicide when the rainbow is enuf on Broadway, McCauley went on to write and perform regularly in cities across the country and abroad. Her play Sally's Rape won the 1991 Obie Award for Best New American Play and a Bessie Award for Outstanding Achievement in Performance. Other notable works include Sugar, Indian Blood, Mississippi Freedom, Turf: A Conversational Concert in Black and White, The Other Weapon, and Quabbin Dance.
McCauley was a recipient of the IRNE (Independent Reviewers of New England) Award for Solo Performance, and was selected as a 2012 United States Artists Ford Foundation Fellow. Her work has been widely anthologized, including the volumes Extreme Exposure, Moon Marked and Touched by Sun, and Performance and Cultural Politics.
Striving to facilitate dialogues on race between local white and Black people, she created the Primary Sources series in Mississippi, Boston, and Los Angeles, produced by The Arts Company. In 1998, her Buffalo Project was highlighted as one of The 51 (or So) Greatest Avant-Garde Moments by The Village Voice, a roster including work by artists such as Igor Stravinsky, Pablo Picasso, and John Cage.
Robbie McCauley taught at City College of New York, Hunter College, Mount Holyoke College, Boston College, Emerson College, and New York University Tisch School of the Arts.
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