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The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative-including the relationship between 'superhero comics' and 'superhero films', the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts.…mehr
The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative-including the relationship between 'superhero comics' and 'superhero films', the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.
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Autorenporträt
Lorna Piatti-Farnell is professor of film and popular culture at Auckland University of Technology, where she is also director of the Popular Culture Research Centre.
Inhaltsangabe
Acknowledgments Introduction Lorna Piatti-Farnell Part I: Across Platforms and Formats 1. ¬From Cinematic to Podcast Universe: Wolverine: The Long Night and the Multiplication of the Marvel Multiverse Cory Barker 2. The Multiverse Paradigm and the Reinvention of Legion Whitney Hardin and Julia Kiernan 3. Frictions, Factions, and Fatalities: Adapting DC Comic Characters into Video Games Carl Wilson 4. "I feel like I'm getting my Wonder Woman back,": Wonder Woman, Lynda Carter, Fans, and Authenticities in the DC Extended Universe Joan Ormrod 5. Postmodern Parody in Animated Superhero Cinema James C. Taylor Part II: Transformative Meanings 6. Reanimating Witchcraft: Creating A Feminist Embodied Experience in Marvel's Scarlet Witch Forrest Johnson 7. Resurrecting the Hero: Disrupted Histories, Ghostly Returns, and Gothic Transformations in MCU's Captain America Lorna Piatti-Farnell 8. Challenging Typical Ideas of Heroism and Toxic Masculinity in Alias and Jessica Jones Matthe
Acknowledgments Introduction Lorna Piatti-Farnell Part I: Across Platforms and Formats 1. ¬From Cinematic to Podcast Universe: Wolverine: The Long Night and the Multiplication of the Marvel Multiverse Cory Barker 2. The Multiverse Paradigm and the Reinvention of Legion Whitney Hardin and Julia Kiernan 3. Frictions, Factions, and Fatalities: Adapting DC Comic Characters into Video Games Carl Wilson 4. "I feel like I'm getting my Wonder Woman back,": Wonder Woman, Lynda Carter, Fans, and Authenticities in the DC Extended Universe Joan Ormrod 5. Postmodern Parody in Animated Superhero Cinema James C. Taylor Part II: Transformative Meanings 6. Reanimating Witchcraft: Creating A Feminist Embodied Experience in Marvel's Scarlet Witch Forrest Johnson 7. Resurrecting the Hero: Disrupted Histories, Ghostly Returns, and Gothic Transformations in MCU's Captain America Lorna Piatti-Farnell 8. Challenging Typical Ideas of Heroism and Toxic Masculinity in Alias and Jessica Jones Matthe
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