This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia's musical craftsmanship and the Grateful Dead's collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche's Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse's Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon.
Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead's avid listeners.
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Nicholas Meriwether, Center for Counterculture Studies
This is a valuable book, masterfully balancing diverse topics such as the Dionysian rituals of ancient Greece, Nietzsche, the Cold War, LSD, Frankenstein, shamanism, and more in its reappraisal of Jerry Garcia's songs as "tragic odes." The Dead's story has been told many times, but this book goes beyond the usual discourse of band history and fan culture to probe into a web of fascinating intertextual and historical reference points that account for the unique catalytic power of this much beloved band. Brent Wood's writing casts the Grateful Dead's "long, strange trip" in a new light.
Kevin Holm-Hudson, University of Kentucky School of Music