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Focusing on twenty-first century Western films, including all major releases since the turn of the century, the essays in this volume cover a broad range of aesthetic and thematic aspects explored in these films, including gender and race. As diverse contributors focus on the individual subgenres of the traditional Western (the gunfighter, the Cavalry vs. Native American conflict, the role of women in Westerns, etc.), they share an understanding of the twenty-first century Western may be understood as a genre in itself. They argue that the films discussed here reimagine certain aspects of the…mehr
Focusing on twenty-first century Western films, including all major releases since the turn of the century, the essays in this volume cover a broad range of aesthetic and thematic aspects explored in these films, including gender and race. As diverse contributors focus on the individual subgenres of the traditional Western (the gunfighter, the Cavalry vs. Native American conflict, the role of women in Westerns, etc.), they share an understanding of the twenty-first century Western may be understood as a genre in itself. They argue that the films discussed here reimagine certain aspects of the more conventional Western and often reverse the ideology contained within them while employing certain forms and clichés that have become synonymous internationally with Westerns. The result is a contemporary sensibility that might be referred to as the postmodern Western.
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Autorenporträt
Douglas Brode is a retired instructor at Syracuse University's Newhouse School of Public Communications. Shea T. Brode is an independent scholar who has collaborated with his father as editor on several previous collections.
Inhaltsangabe
Introduction: The 21st Century Western: To Begin at the Beginning . . . Douglas Brode and Shea T. Brode Chapter 1: An American Genre in Transition: Dead Man (1995) as Predecessor to the 21st Century Western Ann Hetzel Gunkel Chapter 2: "Pardon Me, but Your 'i/Indian' Is Showing!": Native American Images in 21st Century Westerns Alan Lechusza Aquallo with Douglas Brode Chapter 3: Missing in the Mountains: The 'Hivernant' as 21st Century Frontier Hero Nicholas Blower Chapter 4: Evolution of a Postmodern Genre: The Western Films of Joel and Ethan Coen Lynnea Chapman King Chapter 5: Rooster Cogburn Revisited: Triangulating True Grit Walter Metz Chapter 6: Westward Ho! The Women!: Frontier Females in Post-Feminist Films Rosanne Welch with Douglas Brode Chapter 7: An American Propensity: The Continuum of Violence in Western Films Nathan Wuertenberg Chapter 8: Once Upon a Time in Tarantino's West: The Persistence of Westerns as the American Fairy Tale Beth Jane Toren with Douglas
Introduction: The 21st Century Western: To Begin at the Beginning . . . Douglas Brode and Shea T. Brode Chapter 1: An American Genre in Transition: Dead Man (1995) as Predecessor to the 21st Century Western Ann Hetzel Gunkel Chapter 2: "Pardon Me, but Your 'i/Indian' Is Showing!": Native American Images in 21st Century Westerns Alan Lechusza Aquallo with Douglas Brode Chapter 3: Missing in the Mountains: The 'Hivernant' as 21st Century Frontier Hero Nicholas Blower Chapter 4: Evolution of a Postmodern Genre: The Western Films of Joel and Ethan Coen Lynnea Chapman King Chapter 5: Rooster Cogburn Revisited: Triangulating True Grit Walter Metz Chapter 6: Westward Ho! The Women!: Frontier Females in Post-Feminist Films Rosanne Welch with Douglas Brode Chapter 7: An American Propensity: The Continuum of Violence in Western Films Nathan Wuertenberg Chapter 8: Once Upon a Time in Tarantino's West: The Persistence of Westerns as the American Fairy Tale Beth Jane Toren with Douglas
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