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Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern's pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic "second state" analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 - 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and "Other." Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject's place in society.…mehr
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern's pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic "second state" analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 - 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and "Other." Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject's place in society.
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Autorenporträt
Danielle Hood received her PhD in musicology from the University of Leeds.
Inhaltsangabe
Chapter 1. Topics in Fin-de-Siècle Vienna Chapter 2. Evolution of Viennese Cultural-Historical Topics: Romance, Freud, and Authenticity Chapter 3. The Waltz and the "Other" Chapter 4. Narrative and Deception Chapter 5. The Development of the Uncanny Narrative Chapter 6 Part 1. The Waltz and the Uncanny in Mahler's Seventh Symphony Chapter 6 Part 2. Mahler's Scherzos and the Uncanny Waltz Chapter 7. The Waltz as Pivot Point in Webern's Symphony Op. 21
Chapter 1. Topics in Fin-de-Siècle Vienna Chapter 2. Evolution of Viennese Cultural-Historical Topics: Romance, Freud, and Authenticity Chapter 3. The Waltz and the "Other" Chapter 4. Narrative and Deception Chapter 5. The Development of the Uncanny Narrative Chapter 6 Part 1. The Waltz and the Uncanny in Mahler's Seventh Symphony Chapter 6 Part 2. Mahler's Scherzos and the Uncanny Waltz Chapter 7. The Waltz as Pivot Point in Webern's Symphony Op. 21
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