The Visceral Screen sets out to articulate alternative ways of appreciating film aesthetics outside the narrative/spectacle continuum. Cassavetes and Cronenberg are established auteurs, but the elements of their films that appear to be barriers to their artistic status-for example, slipshod method and lingering violence or pre-digital special effects-are reassessed here as other indicators of creativity. In this way, Furze encourages debates of what makes a film good or bad-beyond how much it is seen to adhere to particular, established models of filmmaking.
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