The Wake of Wellington considers Wellington's spectacular funeral pageant in the fall of 1852-an unprecedented event that attracted one and a half million spectators to London-as a threshold event against which the life of the soldier-hero and High-Tory statesman could be re-viewed and represented.
Canvassing a profuse and dramatically proliferating Wellingtoniana, Sinnema examines the various assumptions behind, and implications of, the Times's celebrated claim that the Irish-born Wellington "was the very type and model of an Englishman." The dead duke, as Sinnema demonstrates, was repeatedly caught up in interpretive practices that stressed the quasi-symbolic relations between hero and nation.
The Wake of Wellington provides a unique view of how in death Wellington and his career were promoted as the consummation of a national destiny intimately bound up with Englishness itself, and with what it meant to be English at midcentury.
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