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The first of the late Marianne Fritz's works to be translated into English. This dark gem of a novel swerves from uneasy pantomime comedy to sheer domestic horror. Fritz has a clammy handle on all that makes humans miserable: roll up for the horrors of jealousy, war, confinement, mental illness, regret and unhappy motherhood.
The Weight of Things is the first book, and the first translated book by Austrian writer Marianne Fritz (1948-2007). After winning acclaim with this novel-awarded the Robert Walser Prize in 1978-she embarked on a brilliant and ambitious literary project called "The
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Produktbeschreibung
The first of the late Marianne Fritz's works to be translated into English. This dark gem of a novel swerves from uneasy pantomime comedy to sheer domestic horror. Fritz has a clammy handle on all that makes humans miserable: roll up for the horrors of jealousy, war, confinement, mental illness, regret and unhappy motherhood.

The Weight of Things is the first book, and the first translated book by Austrian writer Marianne Fritz (1948-2007). After winning acclaim with this novel-awarded the Robert Walser Prize in 1978-she embarked on a brilliant and ambitious literary project called "The Fortress," which earned her cult status, comparisons to James Joyce, and admirers including Elfriede Jelinek and W. G. Sebald.

Yet in this, her first novel, we discover not an eccentric fluke of literary nature but rather a brilliant and masterful satirist, philosophically minded yet raging with anger and wit, who under the guise of a domestic horror story manages to expose the hypocrisy and deep abiding cruelties running parallel, over time, through the society and the individual minds of a century.

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Autorenporträt
Marianne Fritz (1948-2007) was an Austrian novelist. Her first book, The Weight of Things, marked the beginning of an ambitious cycle of novels with the overarching title "The Fortress," comprising The Child of Violence and the Stars of the Romani, Whose Language You Don't Understand, and the gargantuan Naturally, the third volume of which she was preparing at the time of her death.