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A time capsule of the book blogosphere: The publication of The Weird Sister Collection in book form represents the institutionalization of online writing and discourse at a time when incubator projects for writerssuch as literary magazinesare dwindling. The book celebrates the blog's ten-year anniversary, and acts as an archival testament to the early careers of celebrated feminist writers such as Morgan Parker, Soleil Ho, Christopher Soto, and more. | Inclusive, conversational criticism: This collection prioritizes diverse and feminist literary and pop culture criticism written in an…mehr
A time capsule of the book blogosphere: The publication of The Weird Sister Collection in book form represents the institutionalization of online writing and discourse at a time when incubator projects for writerssuch as literary magazinesare dwindling. The book celebrates the blog's ten-year anniversary, and acts as an archival testament to the early careers of celebrated feminist writers such as Morgan Parker, Soleil Ho, Christopher Soto, and more.
Inclusive, conversational criticism: This collection prioritizes diverse and feminist literary and pop culture criticism written in an engaging tone, drawing together threads from the writers' real-life and relevant experiences with their critical engagement.
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Autorenporträt
Marisa Crawford is the author of the poetry collections Diary (Spuyten Duyvil, forthcoming 2023), Reversible, and The Haunted House, and coeditor, with Megan Milks, of We Are the Baby-Sitters Club: Essays & Artwork from Grown-Up Readers. Marisa’s writing has appeared in The Nation, Harper’s Bazaar, Hyperallergic, BUST, and elsewhere. Marisa is the creator and editor-in-chief of Weird Sister, a website and organization that explores the intersections of feminism, literature, and pop culture, and cohost of the nineties rock podcast All Our Pretty Songs. She lives in New York.
Inhaltsangabe
* "The Books of Feminists Are in Every Place (A Comic Diary)" by Amanda K. Davidson, May 2015 * "Best Literary Sex: If Beale Street Could Talk" by Camille Wanliss, February 2017 * "On Breaking the Bad Bitch Archetype in Toni Morrison’s God Help the Child" by Naomi Extra, June 2015 * "The Nuclear Family / The Nuclear Bomb: Revisiting Kate Zambreno’s O Fallen Angel in Trump America" by Sam Cohen, January 2017 * [Trace Peterson piece on transfeminine poetic traditions] by Trace Peterson, December 2022 * "The Coldest Winter Ever: A Coming-of-Age Tale & Hip-Hop Opera" by Vanessa Willoughby, January 2016 * "A Witch’s Reading Report" by Grace Kredell, October 2019 * "Fifty Shades of Grey & Why I Keep Defending Women’s Trash" by Caolan Madden, March 2015 * "The White Male Canon in 90s Pop Songs" by Marisa Crawford, December 2014 * "My Feminist Literary Grudges" by Olivia Campbell, November 2022 * "Writing the Wound: A Letter to Hélène Cixous" by Zoe Tuck, July 2022 * "Emily Dickinson: Subversive Kin" by Christina Olivares, October 2022 * "The Honesty of Jean Rhys" by Kristin Sanders, September 2016 * "The Many Names of Barbara Grier" by Megan Milks, November 2022 * "Reproductive Agency in Sylvia Plath’s Three Women" by Marisa Crawford, October 2016 * "Revisiting Raven: Thoughts on Zora, Nina, and Take-Down Culture" by Naomi Extra, January 2015 * "ALL THE FEMINIST BOOKS: Midwinter Day by Bernadette Mayer" by Becca Klaver, December 2014 * "The Tell-Tale Sign of Living: Blackness and Sensuality in Ntozoke Shange’s Nappy Edges" by Mariahadessa Ekere Tallie, October 2022 * "YASSS and NAWW: bell hooks and Laverne Cox at The New School" by Morgan Parker, October 2014 * "Sex Permeates Everything: The Poetry of Lola Ridge" by Terese Svoboda, February 2016 * "The Limits of Representation" by Christopher Soto, October 2015 * "On the Road with Sister Spit" by Virgie Tovar, March 2017 * "We Out (T)here: Afrofuturism in the Age of Non-Indictments" by Morgan Parker, January 2015 * "Bad or Boring: Doing Without Ethics in Poetry" by Caolan Madden, March 2015 * "Yi-Fen Chou and the Man Who Wore Her" by Soleil Ho, September 2015 * "We Were There: Black Women Artists for Black Lives Matter at The New Museum" by Hossannah Asuncion, September 2016 * "On Being Unreasonable" by Jennif(f)er Tamayo, October 2015 * "The Zack Morris Cell Phone Aesthetic" by Becca Klaver, April 2015 * "Soy Emo, Hemorragia: A bilingual guide to bleeding properly" by Julián Delgado Lopera, September 2015 * "10 Images of Women Writing on Screen" by Li Patron, March 2016 * "Black Grrrl Joy on the 30th Anniversary of Ferris Bueller: LaSloane Peterson’s Snow Day Off" by Aja Love, August 2016 * "How Girls See Girls: A Closer Look at Pretty Little Liars" by Flannery Cashill, April 2017 * "Twin Freaks: Being Both Victim and Protector" by Emily Brandt, November 2014 * "Rejecting Forgiveness Culture: Women in Revenge Films" by Rios de la Luz, May 2016 * "I’m Moving Out of Shondaland" by Morgan Parker, December 2014 * "Chronology Doesn’t Always Feel Good: An Interview with Eileen Myles" by Cathy de la Cruz , October 2015 * "It’s Kinda Creepy Because I Am: An Interview with Myriam Gurba" by Gina Abelkop, March 2016 * "Tender Points: An Interview with Amy Berkowitz" by Geraldine Kim, June 2015 * "Voice, Form & Politics: Talking with Mecca Jamilah Sullivan about June Jordan" by Marisa Crawford, March 2016
* "The Books of Feminists Are in Every Place (A Comic Diary)" by Amanda K. Davidson, May 2015 * "Best Literary Sex: If Beale Street Could Talk" by Camille Wanliss, February 2017 * "On Breaking the Bad Bitch Archetype in Toni Morrison’s God Help the Child" by Naomi Extra, June 2015 * "The Nuclear Family / The Nuclear Bomb: Revisiting Kate Zambreno’s O Fallen Angel in Trump America" by Sam Cohen, January 2017 * [Trace Peterson piece on transfeminine poetic traditions] by Trace Peterson, December 2022 * "The Coldest Winter Ever: A Coming-of-Age Tale & Hip-Hop Opera" by Vanessa Willoughby, January 2016 * "A Witch’s Reading Report" by Grace Kredell, October 2019 * "Fifty Shades of Grey & Why I Keep Defending Women’s Trash" by Caolan Madden, March 2015 * "The White Male Canon in 90s Pop Songs" by Marisa Crawford, December 2014 * "My Feminist Literary Grudges" by Olivia Campbell, November 2022 * "Writing the Wound: A Letter to Hélène Cixous" by Zoe Tuck, July 2022 * "Emily Dickinson: Subversive Kin" by Christina Olivares, October 2022 * "The Honesty of Jean Rhys" by Kristin Sanders, September 2016 * "The Many Names of Barbara Grier" by Megan Milks, November 2022 * "Reproductive Agency in Sylvia Plath’s Three Women" by Marisa Crawford, October 2016 * "Revisiting Raven: Thoughts on Zora, Nina, and Take-Down Culture" by Naomi Extra, January 2015 * "ALL THE FEMINIST BOOKS: Midwinter Day by Bernadette Mayer" by Becca Klaver, December 2014 * "The Tell-Tale Sign of Living: Blackness and Sensuality in Ntozoke Shange’s Nappy Edges" by Mariahadessa Ekere Tallie, October 2022 * "YASSS and NAWW: bell hooks and Laverne Cox at The New School" by Morgan Parker, October 2014 * "Sex Permeates Everything: The Poetry of Lola Ridge" by Terese Svoboda, February 2016 * "The Limits of Representation" by Christopher Soto, October 2015 * "On the Road with Sister Spit" by Virgie Tovar, March 2017 * "We Out (T)here: Afrofuturism in the Age of Non-Indictments" by Morgan Parker, January 2015 * "Bad or Boring: Doing Without Ethics in Poetry" by Caolan Madden, March 2015 * "Yi-Fen Chou and the Man Who Wore Her" by Soleil Ho, September 2015 * "We Were There: Black Women Artists for Black Lives Matter at The New Museum" by Hossannah Asuncion, September 2016 * "On Being Unreasonable" by Jennif(f)er Tamayo, October 2015 * "The Zack Morris Cell Phone Aesthetic" by Becca Klaver, April 2015 * "Soy Emo, Hemorragia: A bilingual guide to bleeding properly" by Julián Delgado Lopera, September 2015 * "10 Images of Women Writing on Screen" by Li Patron, March 2016 * "Black Grrrl Joy on the 30th Anniversary of Ferris Bueller: LaSloane Peterson’s Snow Day Off" by Aja Love, August 2016 * "How Girls See Girls: A Closer Look at Pretty Little Liars" by Flannery Cashill, April 2017 * "Twin Freaks: Being Both Victim and Protector" by Emily Brandt, November 2014 * "Rejecting Forgiveness Culture: Women in Revenge Films" by Rios de la Luz, May 2016 * "I’m Moving Out of Shondaland" by Morgan Parker, December 2014 * "Chronology Doesn’t Always Feel Good: An Interview with Eileen Myles" by Cathy de la Cruz , October 2015 * "It’s Kinda Creepy Because I Am: An Interview with Myriam Gurba" by Gina Abelkop, March 2016 * "Tender Points: An Interview with Amy Berkowitz" by Geraldine Kim, June 2015 * "Voice, Form & Politics: Talking with Mecca Jamilah Sullivan about June Jordan" by Marisa Crawford, March 2016
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