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  • Format: ePub

Explore the inspirations behind the work of the legendary Hayao Miyazaki, one of animated cinema's all-time great creators.
Often called the godfather of animation, Miyazaki is able to imagine and populate worlds like no other director or animator. His films, from My Neighbour Totoro to the Oscar-winning Spirited Away and The Boy and The Heron, are deeply original, each conjuring up their own complete and entrancing version of reality.
This book journeys through the rich mix of cultural, historical and artistic influences that shape Miyazaki's storytelling. From Japanese folklore and
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Produktbeschreibung
Explore the inspirations behind the work of the legendary Hayao Miyazaki, one of animated cinema's all-time great creators.

Often called the godfather of animation, Miyazaki is able to imagine and populate worlds like no other director or animator. His films, from My Neighbour Totoro to the Oscar-winning Spirited Away and The Boy and The Heron, are deeply original, each conjuring up their own complete and entrancing version of reality.

This book journeys through the rich mix of cultural, historical and artistic influences that shape Miyazaki's storytelling. From Japanese folklore and childhood memories to architecture, classic cinema, literature and political commentary, it reveals how Miyazaki's deeply personal vision creates layered worlds that somehow feel both fantastical and grounded in truth.

With insight into his process, visual language and recurring themes - including nature, flight, girlhood, resistance and renewal - The Worlds of Hayao Miyazaki offers fans and film lovers a deeper understanding of the imagination behind the magic.

A celebration of creative freedom, storytelling without limits, and the enduring power of animation.


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Autorenporträt


Nicolas Rapold is a writer and editor. He worked as editor-in-chief of Film Comment (both web and print) at Film at Lincoln Center, where he hosted the Film Comment Podcast, curated Film Comment Selects, and was a member of the magazine's editorial team since 2005. He currently hosts the podcast The Last Thing I Saw and his writing has appeared in The New York Times, Artforum, the Criterion Collection Daily, and Sight & Sound.