Artistic performances, opera, dance, acting, musical, comedy or drama: the international theatre scene in the late 19th and early 20th century was strongly controlled by professional and international operating agents and brokers. This volume focuses on the infrastructural "backstages" of global cultural mobility from 1890 to 1925. From a discoursive perspective the study is located in the study field of global history and theory. Due to the strong exchange between Europe and North and South America a transatlantic geographical focus has been selected. The enormous power of the agents during this time has merely been analysed yet. The author explains professionalisation and methods of artistic transatlantic agencies from the example of selected agents.
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