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The theatre has always been a place where conceptions of race and racism have been staged, shared and perpetuated. Harvey Young introduces key ideas about race, before tracing its relationship with theatre and performance - from Ancient Athens to the present day.
The theatre has always been a place where conceptions of race and racism have been staged, shared and perpetuated. Harvey Young introduces key ideas about race, before tracing its relationship with theatre and performance - from Ancient Athens to the present day.
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Autorenporträt
Harvey Young is Associate Professor of Theatre and Performance Studies at Northwestern University, USA. He is the author of Embodying Black Experience, editor of The Cambridge Companion to African American Theatre and co-editor of Performance in the Borderlands and Reimagining A Raisin in the Sun: Four New Plays.
Inhaltsangabe
Series Editors' Preface.- 1. Race as Theatre.- 2. Racializing the Other in.- the Classical Era.- 3. Cultural Anxieties in the Elizabethan Period.- 4. Blackface.- 5. Other Faces.- 6. Colorblind and Color Conscious Casting.- 7. Conclusion: Post-race Theatre.- Further.- Reading.- Index.- Acknowledgements.
Series editor's preface Race as theatre Racializing the "other" in the classical era Cultural anxieties in the Elizabethan period Blackface Other faces Colorblind and color-conscious casting Conclusion: post-race theatre Further reading Index Acknowledgements
Series Editors' Preface.- 1. Race as Theatre.- 2. Racializing the Other in.- the Classical Era.- 3. Cultural Anxieties in the Elizabethan Period.- 4. Blackface.- 5. Other Faces.- 6. Colorblind and Color Conscious Casting.- 7. Conclusion: Post-race Theatre.- Further.- Reading.- Index.- Acknowledgements.
Series editor's preface Race as theatre Racializing the "other" in the classical era Cultural anxieties in the Elizabethan period Blackface Other faces Colorblind and color-conscious casting Conclusion: post-race theatre Further reading Index Acknowledgements
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