Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.…mehr
Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Juan Pablo González is director of the Alberto Hurtado University Music Institute and affiliate of the Catholic University of Chile Institute of History.
Inhaltsangabe
Acknowledgments Preface to the English edition Introduction I. Musicology and Latin America II. The Multidisciplinary Turn III. Postcolonial Listening IV. Popular Music Studies V. From Song-Object to Song-Process VI. Multiple Origins: "Martian Cutie" Travels the Earth VII. Women Take the Stage VIII. Tradition, Modernity, and the Avant-garde: From the Conservatory to Víctor Jara IX. Primitive Avant-garde: Los Jaivas and the Chilean Counterculture X. Mass Counterculture under Military Dictatorships-Brazil and Chile XI. Folk Music and Globalization: Expanding Roots across Space and Time Afterword to the English edition Works cited Index About the Author and Translator
Acknowledgments Preface to the English edition Introduction I. Musicology and Latin America II. The Multidisciplinary Turn III. Postcolonial Listening IV. Popular Music Studies V. From Song-Object to Song-Process VI. Multiple Origins: "Martian Cutie" Travels the Earth VII. Women Take the Stage VIII. Tradition, Modernity, and the Avant-garde: From the Conservatory to Víctor Jara IX. Primitive Avant-garde: Los Jaivas and the Chilean Counterculture X. Mass Counterculture under Military Dictatorships-Brazil and Chile XI. Folk Music and Globalization: Expanding Roots across Space and Time Afterword to the English edition Works cited Index About the Author and Translator
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826