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First published in French in 1877, "Three Tales" is a collection of three short stories by the celebrated French novelist Gustave Flaubert. Although Flaubert is most well-known for his novels, he took a hiatus near the end of his career to produce a collection of short stories. Flaubert was considered to be a master of style and obsessively devoted to finding the right words for his story telling. The first story in this collection "A Simple Soul" is a story of love and spiritual awakening seen through the simple and apparently unremarkable life of a servant girl. While she has little…mehr

Produktbeschreibung
First published in French in 1877, "Three Tales" is a collection of three short stories by the celebrated French novelist Gustave Flaubert. Although Flaubert is most well-known for his novels, he took a hiatus near the end of his career to produce a collection of short stories. Flaubert was considered to be a master of style and obsessively devoted to finding the right words for his story telling. The first story in this collection "A Simple Soul" is a story of love and spiritual awakening seen through the simple and apparently unremarkable life of a servant girl. While she has little materially, she retains her ability to love and is devoted to others. "The Legend of Saint Julian the Hospitalier" is an Oedipus-like tale that examines fate, the consequences of violence, and the redemptive power of benevolence and generosity. "Herodias" is the retelling of the beheading of John the Baptist that focuses on the role that Herodias and her daughter, Salome, play in the betrayal and death of John. Together these three tales represent some of the best of Flaubert's shorter works. This edition includes a biographical afterword.

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Autorenporträt
Gustave Flaubert was born in Rouen in 1821, the son of a prominent physician. A solitary child, he was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The form of his work was marked by intense aesthetic scrupulousness and passionate pursuit of le mot juste; its content alternately reflected scorn for French bourgeois society and a romantic taste for exotic historical subject matter. The success of Madame Bovary (1857) was ensured by government prosecution for “immorality”; Salammbô (1862) and The Sentimental Education (1869) received a cool public reception; not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His circle of friends included Turgenev and the Goncourt brothers, while the young Guy de Maupassant underwent an arduous literary apprenticeship under his direction. Increasing personal isolation and financial insecurity troubled his last years. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death in 1880. Roger Whitehouse has taught at the Sorbonne and at Bolton Institute, where he is a research fellow. Geoffrey Wall is author of the critically acclaimed Flaubert: A Life and translated Madame Bovary for Penguin Classics.