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First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The author's concerns-which include the social meaning of illusion and the cultural manifestation of power-take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor's theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
A brilliant, uncontainable, and chastening
…mehr

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Produktbeschreibung
First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The author's concerns-which include the social meaning of illusion and the cultural manifestation of power-take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor's theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.

A brilliant, uncontainable, and chastening look at the rhetoric of critical theory in relation to performance and ideological practice, this is undoubtedly a book for the twenty-first century. It returns us, through all appearances, to the unavoidable question in art, in politics, in the society of the spectacle: what, after all, is the future of illusion?


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Autorenporträt
Herbert Blau was the most influential theater theorist, practitioner, and educator of his generation. He was Distinguished Professor of English and Comparative Literature at the University of Wisconsin-Milwaukee. After many years in the theater, where he was particularly well known for his innovative work as a director, he also gained an international reputation for his theoretical writings on performance and postmodern culture.