The volume offers a holistic portrait of the use of linguistic variety - dialect and heteroglossia - in the literary translations of Seamus Heaney, Ciaran Carson, and Tom Paulin, shedding light on the translators' choices but also readers' experiences of them. Drawing on work from cognitive stylistics, Gibson reflects on how and why translators choose to add linguistic variety and how these choices can often be traced back to their socio-cultural context. The book not only extends existing scholarship on Irish-English literary translation to examine issues unique to Northern Ireland but also raises broader questions about translation in locations where language choice is fraught and political. The volume makes the case for giving increased consideration to the role of the individual translator, both for insights into personal choices and a more nuanced understanding of contemporary literary translation practices, in Ireland and beyond.
This book will be of interest to scholars working in translation studies, literary studies and Irish studies.
For a video recording of the book's BCLT launch, visit https://www.youtube.com/watch?v=857wTF8crUM
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Jean Boase-Beier, University of East Anglia, UK
'This richly-detailed book explores how three Northern Irish poets play with regional and standard language when translating. It expertly explains how the linguistic and the poetic, the social and the personal weave together when one reads translated poetry. In so doing, it gives invaluable insights into how 'local' translation can express the translator's identity, enrich the wider language, and enable creativity.'
Francis Jones, Newcastle University, UK