Twenty-First Century Musicals (eBook, PDF)

From Stage to Screen
Redaktion: Rodosthenous, George

• Format: PDF

Produktbeschreibung

Twenty-First Century Musicals stakes a place for the musical in today's cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and gender; the 'voice' and 'singing live' on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including:

• How does the film adaptation provide a different viewing experience from the stage version?

• What themes are highlighted in the film adaptation?
• What does the new casting bring to the work?
• Do camera angles dictate a different reading from the stage version?
• What is lost/gained in the process of adaptation to film?

Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 252
• Erscheinungstermin: 14. August 2017
• Englisch
• ISBN-13: 9781317234067
• Artikelnr.: 49041326

Autorenporträt

George Rodosthenous is Associate Professor in Theatre Directing at the School of Performance and Cultural Industries, University of Leeds.

Inhaltsangabe

Foreword - Barry Keith Grant Introduction - George Rodosthenous 1. Drag,
rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001) 2.
All That Jazz: the difficult journey of Chicago (2002) from stage to screen
3. Ready for His Close-Up: From Horror to Romance in The Phantom of the
Opera (2004) 4. "Bohemia is Dead": Rent (2005) celebrating life in the face
of death 5. Where did we go right (and wrong)? Success and failure in
adaptations of The Producers (2005) from and to the screen 6. "Big, as in
Large, as in Huge": Dreamgirls and Difference in the Performance of Gender,
Blackness, and Popular Music History 7. At the Intersection of Music,
Sexuality and Race: Hairspray's Generic and Aesthetic Variances 8. "With a
Bit of Rock Music, Everything is Fine": MAMMA MIA! (2008) and the Camp
Sensibility on screen 9. 8¿ to Nine to Nine: Evolutions of a Cinema Classic
10. 'You wanna hear the real story?': (Mis)remembering masculinity in Clint
Eastwood's adaptation of Jersey Boys (2014) 11. The Ethical Exculpation of
Moral Turpitude: Representations of Violence and Death in Sweeney Todd and
Into The Woods 12. The Last Five Years (2014): Medium, Mode and the Making
of Cathy. 13. The Trouble with "Little Girls": Annie on the big (and small)
screen 14. London Road: the 'irruption of the real' and haunting utopias in
the verbatim musical.