This lyrical, thoughtful essay collection is as gripping as any horror movie. Rax King
A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.
This is how it worked: first I loved them, and then I loved myself.
At twenty-seven, poet Zefyr Lisowski found herself in the place she feared most: a locked psych ward. While inside, she turned to horror moviesher deepest, most constant comfort.
Rather than disturb, scary movies have always provided solace and connection for Lisowski, as they do many othersoffering a vision of a world filled equally with beauty and pain, and a reason to reach out to others and hold them tight. After all, as Lisowski argues, what terrifies us most about these movies is our own uncanny reflectionand at the root of that fear, a desperate desire to love and be loved.
In these wide-ranging essays, Lisowski weaves theory and memoir into nuanced critiques of films such as The Texas Chain Saw Massacre and Saint Maud. From fears about sickness and disability, to trans narratives and the predator/victim complex, to the struggle to live in a world that wants you dead, she explores horror's reciprocal impact on our culture andby extensionour lives. Through it all, Lisowski lays bare her own complex biographyspanning from a trans childhood in the South to the sweaty dancefloors of Brooklynand the family, friends, and lovers that have bloomed with her into the present.
Deeply felt, blood-spattered, and brimming with care and wonder, Uncanny Valley Girls thrusts this seasoned poet to centerstage.
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"This lyrical, thoughtful essay collection is as gripping as any horror movie. Zefyr Lisowski's gorgeous prose belongs equally to the canons of memoir and culture writing." - Rax King, author of Sloppy and Tacky
"In Uncanny Valley Girls, Zefyr Lisowski pushes past the easy discursive tropes of horror, trauma, and trans girlhood, finding and naming the messier, lovelier realities within. In so doing, she's gifted us a book that's somehow both sharp and generous, and a joy to read. I'm in awe-this collection is an absolute sensation." - Jeanne Thornton, author of A/S/L and Summer Fun
"In Uncanny Valley Girls, Zefyr Lisowski is unafraid to encounter the most monstrous things-the violences of white supremacy, cis-hetero patriarchy, transphobia, ableism, classism-and consider not only their ubiquity, complexity, and nuance, but also how they live, slyly and softly, in each of us. . . . This fearless inquiry is directed at everyone, not least of all the author herself, and yet its militant commitment to insight never feels punitive. In response to the adage, 'the call is coming from inside the house,' Zefyr answers the phone and asks to speak to whoever-whatever-is on the other end of the line." - Johanna Hedva, author of How to Tell When We Will Die